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HomeTOURS AND TRAVELA Photographic Journey into the World’s Next Big Travel Destination

A Photographic Journey into the World’s Next Big Travel Destination

Dear reader. Put down that coffee, because I’m about to let you in on a little secret: Pakistan is going to be one of the world’s next big travel destinations. What’s the matter, don’t believe me? Well, you believe Forbes, don’t you? There, I see you spilled your coffee. Hey, I warned you …

Okay, okay, I get it. You’re wondering if I’ve been living under a rock for the past decade or so. Well, I haven’t. Where I have been is Pakistan – once a year, if I can manage. See, I was born and raised there. And when you’re familiar with the region and its history, it all makes perfect sense. At the crossroads of the Middle East, Central Asia and the Land of Five Rivers (Punj-Aab), Pakistan has a mindbogglingly diverse geography and an equally diverse culture.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 64, 1/30, f/8.0 // Ancient Hindu temples of Katas Raj

Now, I don’t see many of you calling up your travel agent just yet (or whatever the modern equivalent of that is) and that’s understandable. Let’s do something else – something less risky and a lot more cost-effective: take a trip through my camera’s lens.

NIKON D810 + 24-120mm f/4 @ 105mm, ISO 64, 1/640, f/4.0

I just did a very short but sweet trip to the cities of Lahore and Peshawar and managed to take some photos that I’m eager to share. But before we start, a very short history lesson is called for (because it’s impossible to talk about the region without talking about the Mughals):

The Mughals were a Persianized Turko-Mongol dynasty from Central Asia that established dominion over a region spanning parts of South/Central Asia in the middle of the previous millennium. Their culture absorbed local influences over time. Pakistan’s culture today, in all aspects, from cuisine, dress, language, arts, architecture, is a product of that fusion.

All right, class over. On to the photos.

My journey started about 200 miles north of Lahore in the capital city of Islamabad. I decided to forego the modern motorway and opted instead to drive to Lahore via the ‘Grand Trunk Road,’ a modern name for a route so old that Alexander the Great’s armies marched down it. The idea was to get a feel for the real Pakistan. And it doesn’t get more real than a hazy scene with trucks racing buses, passengers perched on top with a minaret visible in the distance.

NIKON D810 + 70-200mm f/4 @ 200mm, ISO 64, 1/1600, f/4.0

And don’t forget, there’s always the possibility of a herd of sheep crossing the road.

NIKON D810 + 24-120mm f/4 @ 78mm, ISO 64, 1/400, f/4.0

(Okay, I did that for effect, this was actually a side road but the underlying concept is sound.)

You know you’re in the vicinity of Lahore’s Old City when the massive Badshahi Mosque starts looming on the horizon.

NIKON D810 + 24-120mm f/4 @ 58mm, ISO 64, 1/1250, f/4.0

This mosque was commissioned by a Mughal emperor in the 1600s. It is a magnificent structure that absolutely dominates the skyline.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 200, 1/60, f/8.0

You may have heard that photographers like to shoot at sunset. Well, I took that a little too literally and arrived just when the sun was about to set.

NIKON D810 + 24-120mm f/4 @ 28mm, ISO 64, 1/50, f/8.0

I was able to capture the last light at the entrance to the mosque, as the air was filled with the call for the sunset prayer.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 64, 1/125, f/8.0

The next day, I set about exploring Lahore’s historic core which is actually a Walled City with 13 gates. In so many ways, these gates are like time machines. This next scene is right out of the Arabian Nights. And yet, it is clear that Pakistan is on the cusp of a cultural transformation. My fear is that scenes like this one may vanish entirely in a few generations.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 100, 1/250, f/4.0

Inside the walls, my first stop was the Shahi Hammam (Royal Bath) which is a Persian-style bath built by the Mughals. It is no secret that the Mughals had a thing for the finer things in life and no where is that more obvious than in the details of the bath, including the frescoes.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 500, 1/60, f/4.0

Hidden deep within the Old City, Wazir Khan Mosque is an absolute gem. It pops into view after navigating some impossibly narrow maze-like streets brimming with interesting characters and scenes. It looks magnificent, even in the harsh midday sun.

NIKON D810 + 24-120mm f/4 @ 48mm, ISO 64, 1/800, f/4.0

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 64, 1/250, f/4.0

As is characteristic of Mughal architecture, the frescoes inside the mosque are incredibly detailed and absolutely beautiful.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 250, 1/10, f/4.0

Not too far outside the Walled City one encounters the Shalimar Gardens. Commissioned by the Emperor Shah Jahan (of Taj Mahal fame) in dedication to the love of his life, Mumtaz Mahal, they are a Persian-style garden complex that was intended to replicate heaven on Earth. Since then, they have fallen into a state of neglect to the extent that it is possible to drive past them without even knowing it. And yet, as one ventures inside, it does not take much to imagine what they were like in their glory days.

NIKON D810 + 24-120mm f/4 @ 66mm, ISO 64, 1/160, f/4.0 // A group of ladies relaxing on a cool morning in the warm light filtering through the trees of Shalimar Gardens

NIKON D810 + 24-120mm f/4 @ 44mm, ISO 64, 1/50, f/8.0 // There’s commuting to work and then there’s commuting to work through a Mughal garden

Lahore has a lot more to offer but I was under a real time crunch and had to begin the six-hour freeway journey to my next destination: Peshawar. The capital of the Khyber-Pukhtunkhwa province – home to Pakistan’s Pashtun population – Peshawar is nestled in a valley surrounded by a rugged, barren terrain that is markedly different from the lush plains of the Punjab. The different geography is accompanied by a different culture, one that is less agrarian and more consistent with the lifestyle of highlanders with a pastoral nomadic past.

Again, I was constrained for time and limited myself to two of Peshawar’s top attractions: the Storyteller’s Market (Qissa Khwani Bazaar) and Food Street (Namak Mandi). When I arrived at Qissa Khwani bazaar, I expected it to be much like the other old bazaars of the region: crowded narrow streets, tiny shops, mounds of spices, foods, fruit, goods etc. And indeed it was all those things. But the thing that really struck me was the energy of the place. It was absolutely buzzing.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 1000, 1/20, f/4.0

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 64, 1/20, f/4.0

Of course, all that human exertion needs fuel and that came in the form of a non-stop supply of tea, with tea-runners rushing back and forth between shops with a rhythm that was resonant with the overall energy of the place.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 200, 1/50, f/4.0

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 200, 1/50, f/4.0

I’ve pointed this out in my previous articles and I’ll say it again here: do not be fooled by the serious expressions on people’s faces – everyone is extremely friendly, especially to photographers. I haven’t had a bad encounter yet. Having said that, I was a little intimidated by the fierce looks this gentleman was giving me as I walked around the bazaar taking photos. When I finally mustered the courage to ask him for a shot, his face immediately lit up and he and his companion started goofing around with his hat.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 200, 1/50, f/4.0

A few shops down, I was so intent on capturing the action in the front that I didn’t notice the young man at the back, who was clearly intrigued by my antics.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 64, 1/50, f/4.0

And here’s a close-up:

NIKON D810 + 24-120mm f/4 @ 52mm, ISO 200, 1/40, f/4.0

By now, we’ve all have heard the tropes about the crazy traffic and the ‘controlled chaos’ in that part of the world. Well, after navigating some streets of the bazaar, I can say with confidence that the guy with the British accent on the TV show was, indeed, keeping it real.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 200, 1/30, f/4.0

There are a few monuments and landmarks in and around the bazaar that I wanted to capture, but the sun was setting and I had to move on, so I settled for this one at Yadgar Chowk (Memorial Point).

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 64, 1/500, f/4.0

At this point I had to make a critical decision. Take this once in a lifetime opportunity to photograph some of the city’s iconic landmarks or … eat some lamb. Naturally, I opted for the lamb.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 1000, 1/20, f/4.0

Peshawar’s food street serves up all kinds of insanely delicious fare, but the two main attractions are lamb kebabs …

NIKON D810 + 24-120mm f/4 @ 30mm, ISO 1000, 1/125, f/4.0

… and Karahi.

NIKON D810 + 24-120mm f/4 @ 32mm, ISO 1000, 1/100, f/4.0

Karahi (no relation to curry) is an iconic Pakistani dish with origins in this region. It is prepared by frying meat – lamb, chicken, goat – in an oily tomato sauce in a pan called ‘Karahi’ that is similar to the Asian Wok, at very high heat. It is usually consumed with naan – flat bread baked in a clay oven, which also has its origins in Central Asia.

NIKON D810 + 24-120mm f/4 @ 24mm, ISO 1000, 1/80, f/4.0

Finally, all that goodness gets washed down with a cup of piping hot tea.

NIKON D810 + 24-120mm f/4 @ 40mm, ISO 1000, 1/320, f/4.0

And that’s everything I was able to do with the time I had. I’m rearing to go back and photograph the spectacular mountain scenery of the ‘Northern Areas’ but I’ve only gotten as far as the ‘Inshallah’ (as they say in Pakistan), or God-willing, stage of that plan.

Until then, signing off.

NIKON D810 + 24-120mm f/4 @ 52mm, ISO 1600, 1/4, f/4.0

#Pakistan #Travel #TravelPhotography

The Photograohers
The Photograohers
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